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Biography

JUAN CARLOS CHILDREN Garcia Revisited By WALDO GONZLEZ Lpez This plastic artist, a remarkable artist, a master of poetic color - as llamaos ATRS - full artist and at last child (as was Picasso, the great prince of all styles and few), is a kind of guy who, with little more than forty years, still disputndose the glasses of milk with daughter, Princesilla Gaby (Gabriela), brevsima and lovely muse, with almost seven years, remains the greatest inspiration of the artist born in the capital, cntrico...
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JUAN CARLOS CHILDREN Garcia Revisited By WALDO GONZLEZ Lpez This plastic artist, a remarkable artist, a master of poetic color - as llamaos ATRS - full artist and at last child (as was Picasso, the great prince of all styles and few), is a kind of guy who, with little more than forty years, still disputndose the glasses of milk with daughter, Princesilla Gaby (Gabriela), brevsima and lovely muse, with almost seven years, remains the greatest inspiration of the artist born in the capital, cntrico lives in the municipality of Centro Habana, the bottom of La Casa del Filin, or what is the same: The Angel House Daz. Born in the capital in 1960, Juan Carlos Garcia holds a degree in Plastic Arts, specializing in painting at the Art Institute, Environmental Technician Senior Informational Graphic Design and designer of Cuban television. Is, in addition, a member of the Union of Writers and Artists of Cuba (UNEAC) His pieces show the apparent innocence covered with a thin irony that often is clear in their children's creatures?. After these veils, smile and be discovered ensoaciones questions, problems, in short, ideas of no little profundity. That is why his conceptualism wins ALUSIN those who prefer the direct message, while the operator suggests mild and delicate features, in severe or sober colors, a distinctive poetic, perhaps his mark at a time its defining mark on the plastic of promociny - I dare say - in the contemporary Cuban. In this regard, Seal it reminded university professor and writer Enrique Sosa Rodríguez: The first, and perhaps even the last impression you receive when you view the paintings of Juan Carlos, after like it, is their condition eminently suggestive. About their characters, also will point the renowned essayist estn signs of one form or another by the ingenuity, but not naive mellifluous, but a terrible naivete, Sometimes lyrical, sometimes cruel, accusatory, heartbreaking, but always disturbing. And about the quality of their expressive figuracinya resources used by the plastic artist, wanted colegamigo recalcmi avileo: Juan Carlos has created a world of characters both real and imagined, reinvented and recreated from the multiplicity of "reality." All this using the multiple resources of watercolor, pastel and acrylic, with a very well exploited transparencies, visual textures, and a special emphasis on drawing, dominant, despite colorful glazes. In its most recent line, with hallmark deals, always playful way, cities, perhaps arabesques / puzzles in a sort of Joycean and tropical ddalo like this reporter by the imagery This playful, subtle irony, good color utilizacin and, of course, metaphorical sense, among other virtues of the renowned Cuban painter. In the first week of July By the way Week of the Culture of Central Havana, expondrn several pieces of this latest step pictorial of Juan Carlos Garcia, along with works by Ral Santos Serpa and other important creators of the municipality capital. Among his latest personal exhibitions include: 2002: (October) Color Cuban. Plaza America Convention Center. Varadero. Cuba, 2001: Confluence, Hotel Sophitel Francs. Santo Domingo, Dominican Republic, and 2000: Characters, Craft Village Pointe Pitre. Isla Guadalupe. Among the group exhibitions include: 2003: Ora Pro Nobis. Seminario de San Carlos and San Ambrosio. Havana, 2001: Kaleidoscope, Teatro Nacional de Cuba. Sponsored by UNICEF and the National Council of Plastic Arts of Cuba; Expo of Cuban artists in the National Heritage. Havana, 2000: From Cuba to Boston. Project of the American Friends of Art Galley, Bostn, United States of America, 1998-1999: Cuban Art, Galerie Charles dArt Mass, Pointe Pitre, Guadeloupe. His works are in private collections: Permanent Exhibition Resource Work, Los Angeles, United States of Heinz Werner, Basel, Switzerland; of Comelli, Spain, ascomata other from Australia, Brazil, Costa Rica, United States Spain, Portugal, Belgium, Germany, Mexico, Guadeloupe, France Guatemala.

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